An installation by artist Lisa Greenfield during the Fort Point Open Studios, 2009
Social critic Sarah Kendzior’s latest piece, Expensive cities are killing creativity, didn’t sit right with me. Normally, I find myself all but jumping up and down in agreement with her work–but this time, I found much of her analysis jarringly at odds with my own experience.
Kendzior describes expensive coastal cities like New York and San Francisco as “gated citadels,” playgrounds for the rich, places where corporate pressure and the high cost of living reward conformity and stifle creativity. (Although she doesn’t mention Boston specifically, she does include it in a follow-up tweet.)
But my Boston doesn’t feel corporatized, sanitized, like a gated citadel. My Boston isn’t a place where creativity is undervalued, or valued only when it enriches wealthy children. My Boston certainly isn’t a place where “you live when you are born having arrived.”
My Boston is vibrant and creative as hell. Especially here in Somerville, where I’ve lived for five and a half years–and which has the second-highest concentration of artists in the country.
First off, I can’t talk about creativity in Boston without mentioning the folk dancing and music scene, which has been the base of my social circle for as long as I’ve lived here. There’s an incredible number of regular social dance events, culminating in the yearly NEFFA festival, a veritable folkie paradise of singing, jamming, dancing, and outdoor cuddle piles. We have gender-free contras, guerilla contras, a dance and music camp in nearby Plymouth, lots of overlap with the swing and blues dancing scene, great concerts at Club Passim and other venues–and most importantly, a strong sense of community. Individual people may come and go, but the community stays–and I doubt it’s going away anytime soon.
Outdoor contra dance in Copley Square, 2007.